EP 16: Mike Dawes on Fingerstyle Microtechniques, Covers as Creativity, & The Algorithm Game In this episode of The Guitar Journal Podcast, we’re joined by fingerstyle virtuoso Mike Dawes—an innovator known for his percussive techniques, creative arrangements, and collaborations with legends like Tommy Emmanuel. Mike breaks down how he builds layered acoustic compositions using “microtechniques,” and why arranging cover songs is both
Podcast EP 15: Andrea Valeri on Groove, Guitar Tone, and Chasing Curiosity as a Composer Internationally acclaimed fingerstyle guitarist Andrea Valeri shares his journey from rhythm player to master of tone, plus reveals exciting plans for 2026.
Best Audio Interfaces for Recording Guitar in 2025: What to Buy and Why Compare the best audio interfaces for guitar recording in 2025. Discover top picks for tone, features, and budget—from beginner to pro.
Knowledge Base What Does C.G.P. Stand For in Guitar? Learn the meaning of ‘CGP’ in the guitar world – the exclusive ‘Certified Guitar Player’ title created by Chet Atkins and who has earned it.
Podcast EP 14: Sean McGowan on Fingerstyle Jazz, Crafting the Music, and The Holistic Guitarist [New Book] Fingerstyle jazz guitarist Sean McGowan talks solo guitar, technique, and his new book The Holistic Guitarist on the podcast.
Fingerstyle Top 25 Fingerstyle Guitar Players Discover the 25 greatest fingerstyle guitarists – from legends like Chet Atkins and Merle Travis to modern virtuosos like Tommy Emmanuel and Sungha Jung. Explore this updated list of top fingerstyle players to find your next inspiration.
books 10 Must-Read Books for Guitarists This Summer 10 must-read books for guitarists this summer—from music history to creativity, gear, jazz, and inspiration to fuel your playing.
Why Don’t More Jazz Guitarists Play Nylon Strings Like Charlie Byrd? Charlie Byrd holds a unique place in jazz history. He famously played fingerstyle on a nylon-string classical guitar, at a time when most jazz guitarists favored archtop electrics with steel strings. Byrd’s approach was rooted in serious classical study – he trained with Sophocles Papas in Washington, D.C. and
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