Top 25 Classical Guitarists of All Time

The world of classical guitar has a rich history, filled with virtuosos who have expanded the instrument’s possibilities. From 19th-century pioneers to modern-day prodigies, each of the best classical guitarists has left a unique and lasting mark on music. But compiling a list of the top players of all time is challenging – do we measure by technical skill, musicality, influence, or all of the above?

This list of the 25 greatest classical guitarists of all time blends all these factors, spanning different eras and styles. It includes the legendary masters who defined classical guitar as a genre, as well as contemporary stars keeping the art form alive. If you’re an aspiring classical guitarist or an avid listener, these are the artists you should know.

1. Andrés Segovia (1893–1987) – “The Father of Modern Classical Guitar”

Andrés Segovia is almost universally hailed as the greatest classical guitarist of all time – not simply for his playing, but for his profound influence. Hailing from Linares, Spain, Segovia single-handedly elevated the guitar from a folk and parlor instrument to the concert stages of the world. In the early 20th century, he arranged countless classical works (Bach, Handel, Albéniz) for guitar and commissioned new compositions, expanding the repertoire. Segovia’s warm tone and expressive phrasing were legendary, and he continued to concertize past the age of 90. Virtually every classical guitarist after him has benefitted from his legacy – he showed that the guitar could convey the same depth and sophistication as piano or violin. It’s often said that without Segovia, the landscape of classical guitar would be unrecognizable today. (Influence: Introduced guitar to mainstream classical music; taught or inspired many others. )

2. John Williams (b. 1941) – Technical Virtuoso with Global Impact

John Williams, born in Australia and trained in London, is one of the most technically accomplished classical guitarists in history – a true virtuoso known for his precision and clarity. A student of Segovia in his youth, Williams forged his own path, bringing impeccable technique and musicianship to a wide range of repertoire. He has recorded everything from Spanish classics to modern avant-garde works, and even folk music (his album “John Williams Plays The Movies” and collaborations on African music show his versatility). In 1973, he famously won a Grammy alongside Julian Bream for their duet album. Williams’s flawless technique is matched by his ensemble skills; he has often played with orchestras and string quartets, showing that the guitar can seamlessly join classical ensembles. Guitar historian Graham Wade remarked that “John is perhaps the most technically accomplished guitarist the world has seen”– and many would agree. For students, Williams’s recordings of Rodrigo’s Concierto de Aranjuez or the music of Agustín Barrios are considered reference standards. (Notable: Grammy-winning artist; known for clean, almost effortless playing. )

3. Julian Bream (1933–2020) – The Lute and Guitar Pioneer

Julian Bream was an English guitarist (and lutenist) whose influence rivals Segovia’s in breadth. Bream’s playing in the mid-20th century opened new possibilities for the guitar: he performed a huge range of music, from Elizabethan lute songs (he revived the lute in modern times) to contemporary pieces written for him. Born in London, Bream gave his first major recital in 1950 and soon earned a reputation for his expressive, soulful interpretations. In 1960, he founded the Julian Bream Consort, an ensemble that performed early music – greatly renewing interest in Renaissance lute and guitar works. Composers such as Benjamin Britten and William Walton wrote pieces for Bream, expanding 20th-century guitar literature. He was known for his warm, rich sound and insightful musicality, often highlighting inner voices and textures in music that other guitarists overlooked. Bream was honored as an Officer of the Order of the British Empire (OBE) in 1964 and later a CBE, recognizing his contribution to music. Together with Williams, he showed the world that the guitar had truly come of age as a concert instrument. (Notable: Revived lute music; inspired many modern compositions for guitar. )

4. Jason Vieaux (b. 1973) – Contemporary American Master

Jason Vieaux is an American guitarist who represents the modern elite of classical guitarists. Described by NPR as “perhaps the most precise and soulful classical guitarist of his generation,” Vieaux combines spotless technique with a genre-bending approach. He won the Grammy Award for Best Classical Instrumental Solo in 2015 for his album Play, which showcased his virtuosity across diverse pieces. Vieaux’s playing is praised for its musical elegance and emotional depth – he can make a single guitar sound like a whole orchestra. He’s also committed to education (co-founding the Guitar Department at Curtis Institute of Music) and to new music, premiering works by contemporary composers. What sets Vieaux apart is how he goes “beyond the classical” – he has collaborated in jazz, played with harpist Yolanda Kondonassis, and more, showing the guitar’s versatility. For young guitarists today, Vieaux is living proof that the classical guitar tradition is in very good hands. (Notable: Grammy-winning recording Play; known for clean, expressive playing across genres.)

5. Francisco Tárrega (1852–1909) – The Godfather of Classical Guitar Repertoire

Francisco Tárrega was a Spanish composer and guitarist from the Romantic era whose influence is still felt every time you hear classical guitar. Often called “the father of classical guitar repertoire,” Tárrega wrote cornerstone pieces like Recuerdos de la Alhambra and Capricho Árabe that are beloved by guitarists and audiences alike. He lived in the late 19th century, a time when the guitar was not as prominent, yet he helped revive it by composing nearly 80 original works and over 100 arrangements (transcribing piano works of Beethoven, Chopin, etc., for guitar). Tárrega’s style combined Spanish folk elements with classical sophistication, and he developed a new approach to right-hand technique that influenced how guitar is taught (he’s essentially behind the “rest stroke” and other staples of technique). Many consider Tárrega the link between the early 19th-century guitar (the era of Sor and Giuliani) and the 20th-century renaissance under Segovia. Without Tárrega’s compositions and teachings, the modern classical guitar might lack its core repertoire and refined technique. (Notable: Composer of iconic guitar pieces; bridged the gap to modern guitar technique. )

6. Pepe Romero (b. 1944) – Member of the “Royal Family” of Guitar

Pepe Romero is a Spanish-born American guitarist and part of the illustrious Romero family of guitarists. Often referred to as the “Royal Family of the Guitar,” the Romeros (Pepe, his father Celedonio, and brothers Celin and Ángel) have been touring and recording for decades. Pepe, in particular, is celebrated for his bright tone, immaculate technique, and joyous performance style. Born in Málaga, Spain, Pepe gave his first professional performance at age 7 (!) and went on to a stellar career. He has recorded more than 60 albums, including the complete guitar concertos of Rodrigo and others. Pepe Romero is also a noted teacher, carrying forward the legacy of Spanish guitar. He’s equally at home playing a fiery flamenco piece (he grew up in that tradition) as he is a Bach fugue. Many guitar students use his recordings as reference for standard pieces. Having received honors like the Premio Andalucía de la Música, Pepe continues to inspire with a vitality in his playing even in his 70s. (Notable: Part of Los Romeros quartet; ambassador of Spanish guitar tradition. )

7. David Russell (b. 1953) – Scottish Virtuoso with a Lyrical Touch

David Russell is a Grammy-winning classical guitarist known for his superb tone and musical integrity. Born in Glasgow, Scotland, and raised in Spain, Russell brings a fusion of influences to his playing. He was inspired by hearing Segovia and John Williams as a child, and he eventually studied at the Royal Academy in London. Russell’s playing is often praised for its lyricism – every phrase he plays sings. He has an uncanny ability to bring out inner voices and create a rich palette of tone colors on the guitar. David Russell won a Grammy in 2005 for his album Aire Latino, a collection of Latin American compositions, showing his affinity for that repertoire. He’s also recorded the complete works of Tárrega and major works by Barrios, contributing significantly to the recorded library of guitar music. Beyond technique, Russell’s hallmark is an inviting, warm sound that draws listeners in. In concert, he’s very engaging, often introducing pieces with anecdotes. For many enthusiasts, David Russell represents the ideal of a well-rounded guitarist – virtuosic yet always serving the music first. (Notable: Grammy winner; known for a vast repertoire and a sweet, singing tone. )

8. Xuefei Yang (b. 1977) – Trailblazing Virtuoso from China

Xuefei Yang is renowned as the first Chinese guitarist to gain international prominence in the classical guitar world. Born in Beijing, she began learning guitar at age 7, just as Western music was becoming more accessible in China. By her early teens, she was already performing internationally – a child prodigy turned superstar. Xuefei (often called just “Fei” by fans) has an incredible technique, but also a distinctly graceful style. Her playing can be both delicate and fiery as needed. After studying at Beijing’s Central Conservatory, she went on to hone her craft in Britain (at the Royal Academy of Music). Xuefei Yang’s career includes numerous recordings, such as Romance de Amor and 40 Degrees North, showcasing both standard repertoire and arrangements of Chinese folk melodies for guitar. She has helped expand the guitar repertoire by commissioning works that blend Eastern and Western influences. Many young players, especially in Asia, cite her success as an inspiration. If you listen to her interpretation of Sunburst by Andrew York or Yi Dance (a Chinese folk tune arrangement), you’ll hear a perfect mix of precision and passion. (Notable: Broke cultural barriers for classical guitar; combines Eastern musical themes with Western technique. )

9. Christopher Parkening (b. 1947) – America’s Guitar Icon

Christopher Parkening is often considered the premier American classical guitarist of the 20th century. Strongly influenced by Andrés Segovia (whom he befriended and studied with), Parkening emerged in the 1960s as a young prodigy with a clear, elegant style. By age 30, he had recorded landmark albums and was heralded as Segovia’s heir in the U.S. The Los Angeles Times once called him “the leading guitar virtuoso of the world,” reflecting how highly he was regarded. Parkening is known for his beautiful interpretations of Spanish classics and Baroque transcriptions – his recordings of Villa-Lobos preludes and Bach lute suites are often recommended. Not only a performer, Parkening has been a dedicated teacher (establishing the guitar department at Pepperdine University) and author of instructional books. He temporarily retired in his 30s to pursue fly-fishing (another passion of his) but returned to recording and performing later, much to the delight of guitar fans. Parkening’s legacy also includes the Parkening International Guitar Competition, one of the biggest guitar competitions in the world, which he established to encourage young talent. (Notable: Protegé of Segovia; known for polished recordings and fostering guitar education in the USA. )

10. Sharon Isbin (b. 1956) – Trailblazing Female Virtuoso and Innovator

Sharon Isbin is an American classical guitarist who has broken many barriers in the traditionally male-dominated guitar world. A two-time Grammy Award winner, Isbin combines an impeccable technique with adventurous programming. She began guitar at age 9 and later studied with legends like Segovia and Oscar Ghiglia. Isbin’s playing is characterized by its clarity, dynamics, and nuance – whether she’s playing a Scarlatti sonata or a contemporary piece by Tan Dun, every note has purpose. She’s premiered numerous new works (some written for her by composers like John Corigliano and Christopher Rouse), expanding the guitar’s modern repertoire. Isbin also reached wider audiences by collaborating outside classical: she’s recorded with Brazilian guitarist Gaúcho, with vocalist Isabel Leonard (in an album of Spanish songs), and even with rock artists (on her album “Sharon Isbin & Friends: Guitar Passions”). As the founding director of the guitar department at Juilliard, she’s also deeply involved in teaching the next generation. Isbin’s success and visibility (including a one-hour documentary on her life, “Troubadour”) have inspired many young women to take up the classical guitar. (Notable: Multiple Grammy wins; known for commissioning new music and cross-genre collaborations. )

11. Fernando Sor (1778–1839) – Classical Era Composer and “Beethoven of the Guitar”

Fernando Sor was a Catalan Spanish guitarist and composer, often referred to as the “Beethoven of the Guitar” in his day. Living in the late Classical/early Romantic period, Sor was one of the first to elevate guitar compositions to a truly classical form. He wrote prolifically for solo guitar – his études (studies) and sonatas are still fundamental to classical guitar education and repertoire. Pieces like Variations on a Theme of Mozart (Op. 9) remain popular performance pieces two centuries later. Sor’s style is elegant and structured, reflecting the classical style (he was a contemporary of Beethoven and Rossini, and his music has that clear, balanced form). Aside from solo works, he wrote duets, and even ballets and operas, but his guitar works are what endured. As a performer, Sor toured Europe, even impressing audiences in an era when the guitar was considered an uncommon novelty. Including Sor in the list is essential because he laid the groundwork that later guitarists built upon; he showed that the guitar could hold its own in composition alongside the piano and violin of his time. (Notable: Early 19th-century guitar composer; authored influential method books and studies still used today. )

12. Ana Vidović (b. 1980) – Prodigious Talent from Croatia

Ana Vidović is a Croatian guitarist known for her virtuosic yet seemingly effortless performances. As a child prodigy, she started performing at age 8 and by 11 was playing internationally. She won a number of prestigious competitions in her teens, announcing her arrival on the global stage. Vidović’s technique is often described as flawless – difficult passages appear fluid and easy under her fingers, and her tonal control is superb. She has a wide repertoire, but her renditions of challenging pieces like Rodrigo’s Invocación y Danza or Paganini’s Caprice No. 24 (adapted for guitar) have particularly wowed audiences and fellow musicians. Despite her technical prowess, Vidović is also very expressive; her interpretation of Barrios’s Una Limosna por el Amor de Dios (a famously difficult tremolo piece) is both haunting and beautiful. She has recorded numerous albums and continues to tour extensively. Many young guitar students find inspiration in her YouTube performance videos, where her precision and calm stage presence are on full display. Ana Vidović also gives masterclasses, often emphasizing musicality and phrasing just as much as technique. (Notable: International competition winner; admired for combining athletic technique with deep musical expression. )

13. Manuel Barrueco (b. 1952) – Cuban Virtuoso with Smooth Sophistication

Manuel Barrueco is a Cuban-born American guitarist celebrated for his suave tone and poetic interpretations. Barrueco immigrated to the U.S. in 1967 and soon made a name by winning major guitar competitions. His playing is often described as elegant and refined. He has a knack for phrasing that can make familiar pieces sound fresh and lyrical. Barrueco’s discography is diverse – from classic Spanish pieces to arrangements of Beatles songs for guitar (his album “Sometime Ago” blends classical and popular tunes). One of his significant contributions is popularizing Joaquín Rodrigo’s Concierto de Aranjuez; his recording of it is considered among the finest. Barrueco also collaborated with jazz guitarist Al Di Meola and flamenco guitarist Paco de Lucía on the album “Friday Night in San Francisco” (actually Barrueco replaced John McLaughlin on a follow-up tour) – showing his adaptability beyond pure classical. With a career spanning decades, he has also mentored many younger guitarists. Many listeners note that Barrueco’s guitar “sings” – a testament to his touch and artistry. In sum, he remains one of the pillars of late 20th-century guitar performance. (Notable: Renowned for tone quality; bridges classical with contemporary arrangements. )

14. Agustín Barrios Mangoré (1885–1944) – Poet of the Guitar from Paraguay

Agustín Barrios, who often performed under the name “Mangoré,” was a Paraguayan guitarist-composer famed for his beautiful compositions and formidable playing. Barrios was among the greatest guitar virtuosos of the early 20th century, yet for decades after his death, his music was nearly forgotten. It wasn’t until the 1970s, when players like John Williams championed his work, that Barrios’s pieces re-emerged and astonished the guitar world. His compositions like La Catedral, Julia Florida, and Una Limosna por el Amor de Dios are now staples, revered for their combination of lush Romantic harmony and Paraguayan folkloric elements. Many consider Barrios’s music the pinnacle of guitar writing – it’s idiomatic for the instrument and deeply emotional. As a performer, Barrios was rumored to play with supernatural precision and feeling, often moving listeners to tears. He was also one of the first guitarists to record (circa 1910s–20s), leaving behind scratchy phonograph recordings that nonetheless reveal his artistry. Today, Barrios is often mentioned in the same breath as Tárrega and Sor among the great composer-guitarists. His life has a mythic quality (he even dressed in Guarani tribal costume for a period, embracing his heritage on stage), and his legacy is the treasure trove of music he left for future generations. (Notable: Composer of Romantic-era guitar masterpieces; subject of renewed popularity thanks to later champions.)

15. Narciso Yepes (1927–1997) – Innovator with Ten Strings

Narciso Yepes was a superb Spanish guitarist known not only for his playing but for inventing the 10-string guitar. A student of the legendary Regino Sainz de la Maza, Yepes had a stellar career, marked by his precise technique and analytical approach to music. He is perhaps most famous to the general public for performing the soundtrack music for the film “Jeux Interdits” (Forbidden Games) – the Romance from that film became synonymous with Yepes, even though its authorship is anonymous. In the 1960s, he developed a 10-string guitar (decacorde) to expand the instrument’s range and resonance; this innovation allowed for better sympathetic vibration and the ability to play transcriptions with more range. Yepes was a scholarly player, digging into early music (he was one of the first to perform lute suites on guitar, pre-dating the early music revival of Bream/Williams). While some criticized his 10-string concept as unconventional, there’s no denying his virtuosity. He recorded an enormous repertoire, including the complete lute works of Bach on his unique guitar. Historically, he stands as one of Spain’s guitar giants, second perhaps only to Segovia in influence among his generation. (Notable: Introduced the 10-string guitar; globally known for “Romance (Jeux Interdits)” performance. )

16. Mauro Giuliani (1781–1829) – Early 19th-Century Guitar Prodigy

Mauro Giuliani was an Italian guitar virtuoso and composer who dominated the scene in the early 1800s. If Sor was the “Beethoven of guitar,” Giuliani was arguably the “Paganini of the guitar” – he was a dazzling performer who wowed audiences in Vienna with his skills. He wrote a tremendous amount of music for guitar: over 150 opus numbers including three guitar concertos, numerous solo pieces, and ensemble works combining guitar with violin, flute, voice, etc. His Guitar Concerto No.1 in A major, Op. 30 was a hit in its time and is still performed today (it’s lively and charming). Giuliani’s style is Viennese Classical, which makes sense as he was friends with Beethoven and Rossini. He also published a seminal set of studies (120 Right-Hand Studies Op. 1 by Giuliani) that guitar students still use to develop technique. After spending about 15 years in Vienna, he returned to Italy. While perhaps not as well-known to the general public as Sor or Tárrega (because for a time his works were less taught), Giuliani’s contributions – especially in proving that the guitar could stand as a solo instrument in European classical music – were key. Modern revivals of his concertos and solo pieces have solidified his place among the greats. (Notable: Premier early Romantic guitar virtuoso; composed one of the first guitar concertos. )

17. Ferdinando Carulli (1770–1841) – Author of the First Guitar Method

Ferdinando Carulli was another foundational figure from the early 19th century, an Italian guitarist and composer who helped shape classical guitar technique. He is best known for writing the first complete classical guitar method book, published in 1810, which was hugely influential in teaching the instrument. This method (often just called “Carulli’s method”) and his many beginner-to-intermediate pieces (like Petit Waltz, etc.) made the guitar accessible to countless students throughout the 19th century. But Carulli was not just for beginners – he also composed over 400 works, including concertos, chamber music with guitar, and advanced solo pieces. Living in Paris for much of his life, he became the city’s leading guitar teacher and performer. His music is tuneful and friendly to play, which is why a lot of it remains in pedagogical use. For example, Carulli’s Waltz in E minor or his Andantino in G are frequently some of the first “real” pieces a guitar student learns. While he may not get the spotlight in virtuoso concerts today as often as Sor or Giuliani, Carulli’s importance in popularizing the guitar and providing learning materials is immense. He essentially ensured that the interest in guitar did not die out during a critical time in music history. (Notable: Published influential 19th-century guitar method; composed hundreds of works spanning beginner to advanced. )

18. Eliot Fisk (b. 1954) – American Maverick and Pedagogue

Eliot Fisk is an American guitarist known for his high-energy performances and for pushing the boundaries of the guitar repertoire. A student of Andrés Segovia (indeed, Segovia’s last direct pupil), Fisk has carried the torch of virtuosity into modern times. He’s renowned for transcriptions of music that few others would dare attempt on guitar – for example, Paganini’s fiendishly difficult Caprices (originally for violin) which he not only transcribed but performs at lightning speed. Fisk’s style is daring and sometimes flamboyant; he’s a showman in the best sense, often amazing audiences with sheer velocity and passion. Beyond performance, Eliot Fisk has championed contemporary works and premiered many new compositions. He’s also known as a devoted teacher (professor at New England Conservatory and Universitat Mozarteum in Salzburg), passionate about spreading classical guitar globally. Fisk’s repertoire and discography range from Baroque to avant-garde. One notable recording is his arrangement of Luciano Berio’s Sequenza XI, a piece originally for guitar that stretches the instrument’s sounds – Fisk’s interpretation earned high praise for meeting the piece’s enormous demands. Through his restless drive to expand technique and repertoire, Eliot Fisk has inspired many younger virtuosos and kept the spirit of innovation alive in classical guitar. (Notable: Last pupil of Segovia; famous for transcriptions of violin virtuoso pieces to guitar. )

19. Miguel Llobet (1878–1938) – Catalan Interpreter of Soulful Songs

Miguel Llobet was a Catalan guitarist and a student of Tárrega who became a prominent concert artist and arranger in the early 20th century. Though not as widely known to general audiences today, connoisseurs regard Llobet as an important figure for his beautiful arrangements of Catalan folk songs and his influence on later guitarists. Llobet had a rich, delicate touch – he took Tárrega’s teachings and further refined them. His most famous contributions are arrangements like El Noi de la Mare and La Filla del Marxant, simple folk melodies that he turned into exquisite guitar miniatures; these are still frequently performed for their haunting beauty. Llobet toured extensively in Europe and the Americas, impressing even non-guitarist composers (Claude Debussy admired his playing). He also taught a young Andrés Segovia for a short time – so his pedagogical lineage extends to the greatest name of all. Unfortunately, Llobet’s life and career were somewhat cut short; some of his work fell into obscurity mid-century. But the revival of interest in historical guitar figures has brought his name back, especially whenever those Catalan folk-song arrangements are played (they’ve become standard encore pieces). As an early recording artist, he also left behind some recordings that give us a glimpse into guitar playing of his era. (Notable: Student of Tárrega; known for gorgeous guitar arrangements of folk music. )

20. Alirio Díaz (1923–2016) – Venezuelan Virtuoso and Ambassador

Alirio Díaz was a Venezuelan guitarist who carried South America’s guitar tradition to the world stage. A direct student and later assistant of Segovia, Díaz had a thorough grounding in classical technique, but he also brought a Latin American warmth and flair to his performances. He is credited with popularizing the works of Latin American composers like Antonio Lauro (famous for Venezuelan waltzes) – many pieces from Venezuela, Brazil, Argentina, etc., became known internationally thanks to Díaz’s advocacy. Alirio Díaz’s playing was marked by a strong rhythmical sense and expressivity, no doubt influenced by the folkloric music he grew up with. In addition to concertizing globally, Díaz taught masterclasses and inspired many young guitarists across Latin America and Europe. Composers dedicated works to him, and Venezuela’s national guitar competition is named in his honor. By bridging the gap between Segovia’s European tradition and the folk-rooted styles of Latin America, Alirio Díaz enriched the classical guitar world with new repertoire and demonstrated that virtuosity knows no borders. His recordings of Lauro’s waltzes and barrios’s pieces are still considered some of the finest. (Notable: Segovia disciple; key promoter of Latin American guitar music worldwide. )

21. Liona Boyd (b. 1949) – “First Lady of Guitar” and Crossover Star

Liona Boyd is a Canadian classical guitarist who achieved superstar status in the 1970s and 1980s, earning the nickname “The First Lady of the Guitar.” She brought glamour and wide public appeal to classical guitar, touring extensively and appearing on television, which helped introduce the instrument to new audiences. Liona’s playing is characterized by a lyrical, romantic quality. She often focused on bringing out the emotional, evocative side of pieces rather than sheer technical display (though she has plenty of technique as well). Over her career, she has recorded numerous albums, several of which went Gold or Platinum in Canada – an unusual feat for classical music. She wasn’t afraid to step outside the pure classical genre: Boyd collaborated with artists like Chet Atkins and Eric Clapton on some crossover albums, and in later years even explored singing and songwriting in her albums. Highlights of her classical recordings include works by Baroque composers (like her popular recording of Bach’s Jesu, Joy of Man’s Desiring on guitar) and Latin pieces. For her contributions, she’s received five Juno awards (Canada’s top music award). Liona Boyd’s success showed that classical guitar could have mainstream appeal, and she inspired especially many young women in the 70s and 80s to pick up the guitar. (Notable: Multiple Juno-award winner; known for broadening the audience of classical guitar through media appearances and crossover music. )

22. Paul Galbraith (b. 1964) – Innovative 8-String Guitarist

Paul Galbraith is a Scottish classical guitarist renowned for his unique approach to the instrument. He helped develop the 8-string “Brahms Guitar,” an instrument with two extra strings (one higher, one lower) and a cello-like endpin, which he plays upright like a cello. This radical design, created with luthier David Rubio, allows Galbraith to play transcriptions that would be impossible on a normal guitar – such as a full range of a piano piece or cello suite – and to explore new tonal depths. Galbraith’s playing is often described as intellectual yet expressive. With the 8-string, he’s recorded remarkable interpretations of Bach (the complete violin sonatas and partitas, for example) and Brahms (hence the guitar’s name, as he transcribed Brahms piano variations). Beyond the novelty of the instrument, Galbraith impresses with his musical insight and refined sound. He has won several competitions (he got 2nd in the Segovia International Competition at 17) and has since performed worldwide. His contributions show that innovation in guitar design and technique can expand what repertoire the guitar can handle. Listeners who hear Galbraith often note that if not told, they’d think they’re hearing a small lute or a different instrument – such is the range and resonance of his guitar. Through his work, Galbraith has added a new chapter to the guitar’s evolution. (Notable: Pioneer of the 8-string guitar; acclaimed for Bach and Brahms transcriptions. )

23. Marcin Dylla (b. 1976) – Polish Powerhouse of the Competition Circuit

Marcin Dylla is a Polish guitarist who rose to prominence in the 2000s by winning an astonishing number of international competitions – by some counts, 19 first prizes from 1996 to 2007. This feat earned him a reputation as one of the elite classical guitarists of his generation, with some critics calling him “among the most gifted guitarists on the planet.” Dylla’s playing is powerful, precise, and passionate. He has a robust stage presence and can tackle the most demanding pieces with apparent ease. After dominating competitions (including taking the prestigious Guitar Foundation of America (GFA) competition in 2007), he embarked on a successful concert and recording career. His interpretations often have a Romantic intensity – listen to his performance of Giuliani’s Guitar Concerto or Rodrigo’s Invocación y Danza, and you’ll hear both fiery technique and deep emotion. Marcin Dylla also engages with contemporary music; he frequently includes modern works in his programs, enriching the repertoire. For aspiring guitarists, his achievements on the competition stage are inspiring (and perhaps intimidating!), and he’s considered a benchmark of modern guitar excellence. (Notable: Won nearly every major guitar competition; known for a big, expressive sound that fills halls. )

24. Ángel Romero (b. 1946) – Romero Quartet Prodigy and Conductor

Ángel Romero, another member of the famous Romero family, is a virtuoso guitarist and also a conductor. The youngest son of Celedonio Romero, Ángel was literally raised in the classical guitar tradition – he was performing as part of Los Romeros guitar quartet from his teens. He’s known for his passionate and flamboyant playing style, injecting drama and excitement into performances. Ángel Romero’s solo career has included many recordings; one highlight is his interpretation of Rodrigo’s Concierto de Aranjuez, which he has performed worldwide (including a noted performance as a teenager with the LA Philharmonic, where he was the first guitarist to play that concerto on the US West Coast). As a conductor, he has led orchestras in works beyond guitar repertoire as well. On stage, Ángel often communicates a strong emotional connection to the music – you’ll see him visibly moved during poignant passages. He has a rich, full tone and excellent rhythmic vitality (perhaps from also playing flamenco pieces at times). Ángel has also been involved in film music – for example, he was the guitar soloist on the soundtrack of “The City of Lost Children.” With multiple facets to his career, he exemplifies versatility. Together with his father and brothers, the Romeros introduced countless audiences to the sound of classical guitar, and Ángel, in particular, has been one of the most visible classical guitarists since the 1970s. (Notable: Member of Los Romeros quartet; dynamic performer of Rodrigo concertos and more. )

25. Kazuhito Yamashita (b. 1961) – Boundary-Pushing Transcription Genius

Kazuhito Yamashita is a Japanese guitar virtuoso known for his jaw-dropping transcriptions and fearless approach to performance. In the 1980s, Yamashita shocked the guitar world by transcribing huge orchestral and piano works for solo guitar – most famously, Mussorgsky’s Pictures at an Exhibition and Dvořák’s New World Symphony! These are pieces no one imagined a single guitar could handle, but Yamashita not only arranged them, he performed them live and recorded them, displaying an almost superhuman technique. These feats made him somewhat controversial (some purists felt it was too gimmicky), but undeniably, it expanded the concept of what could be attempted on guitar. Aside from such showpieces, Yamashita is a prolific performer who, by the age of 32, had recorded 52 albums – an extraordinary output – and by now many more. He often chooses repertoire that others haven’t, bringing attention to lesser-played works and contemporary Japanese composers as well. His playing style is incredibly intense; he attacks the guitar with a force and speed that is thrilling to watch, yet he can also be wonderfully lyrical in softer passages. Many of today’s guitarists point to Yamashita’s recordings as something that blew open their imagination when they first heard them. After all, hearing one man play an entire symphony on a guitar is not something you easily forget! (Notable: Famous for transcribing large-scale classical works for solo guitar; one of the most technically daring players ever. )

Bonus: Dušan Bogdanović (b. 1955) – Composer-Improviser Expanding Guitar’s Language

As a bonus addition, Dušan Bogdanović deserves mention for his unique contributions. Born in Yugoslavia (now Serbia), Bogdanović is a composer, improviser, and guitarist whose work fuses classical, jazz, and world music elements. While not as widely known to general audiences as some names above, among contemporary guitar circles he’s respected as an innovator. As a performer, he has toured extensively and collaborated with all kinds of musicians (from jazz bassists to avant-garde ensembles). As a composer, he has published over 50 works ranging from solo pieces to chamber music involving guitar, pushing the instrument into new territory with odd rhythms, Balkan folk influences, and jazz harmonies. Pieces like Mysterious Habitats are popular with advanced students for their modern yet accessible sound. Bogdanović also teaches and has influenced many younger players to embrace improvisation – a skill not traditionally emphasized in classical guitar training. By including him as a bonus, we acknowledge the forward-thinkers who are keeping the guitar evolving. His presence in this list underscores that the “best” guitarists aren’t just interpreters of the canon, but also creators of new music and styles. (Notable: Genre-blending composer and performer; significant in modern guitar composition pedagogy. )

Frequently Asked Questions (FAQ):

• Q: Who is considered the single greatest classical guitarist of all time?
  A: While it’s subjective, Andrés Segovia is often cited as the greatest classical guitarist ever. Segovia’s monumental influence on the guitar – from expanding its repertoire to elevating its status in classical music – makes him a legendary figure. He set the stage for all who came after. Other names frequently mentioned as all-time greats include John Williams for his technical perfection and Julian Bream for his musical genius, but even they would likely credit Segovia as the foundational icon.
• Q: Are there famous female classical guitarists on the list of best ever?
  A: Yes, classical guitar has many outstanding female performers. In our top 25, Sharon Isbin and Liona Boyd stand out as trailblazers who achieved international fame. Sharon Isbin has won multiple Grammys and directed the guitar program at Juilliard, and Liona Boyd’s successful recording career earned her the nickname “First Lady of Guitar.” Other notable female guitarists include Xuefei Yang (the first Chinese global guitar star) and Ana Vidović, both of whom are also on our list and widely admired for their virtuosity.
• Q: Many of these “best classical guitarists” are from Spain – why?
  A: Spain has a very rich tradition with the guitar; it’s often considered the home of the classical guitar. The instrument in its modern form evolved in Spain (Antonio de Torres designed the modern guitar in the 19th century), and Spanish composers like Tárrega and Sor wrote the first major body of guitar music. Spaniards such as Segovia, the Romero family, and others carried that tradition forward, so naturally many top players have been Spanish. That said, our list also shows the global reach of the guitar – featuring artists from Australia (Williams), Britain (Bream), Eastern Europe (Dylla, Bogdanović), Asia (Yamashita, Yang), North America (Isbin, Parkening), and South America (Barrios, Díaz). Today, classical guitar talent is truly worldwide.
• Q: What qualities make someone one of the “best classical guitarists”?
  A: It’s a combination of factors. Technical skill – the ability to play difficult music cleanly and expressively – is a basic requirement. But beyond that, musical interpretation (phrasing, tone, emotional communication) distinguishes the greatest artists. Influence and innovation matter too: for example, Segovia is revered not just for playing well, but for arranging music, commissioning new works, and popularizing the guitar. Many of the best have also contributed through teaching and composing/arranging. Ultimately, the “best” classical guitarists are those who can move audiences, advance the art form, and inspire other musicians. Each guitarist on our list brought something unique, whether it’s Williams’s flawless precision, Bream’s artistic soul, or Yamashita’s boundary-pushing transcriptions.
• Q: I’m new to classical guitar – which recordings should I listen to first from these players?
  A: Great question! Here are a few iconic recordings to start with:By listening to these, you’ll get a taste of different styles. Each of these guitarists has a large discography, so you can explore further based on whose sound you love the most.
  • Andrés Segovia – The Art of Segovia: a compilation of Segovia’s seminal recordings (Bach, Albéniz, Granados). It captures his style and the sound that made the guitar famous.
  • John Williams – Seville Concert: Williams’s live album featuring Spanish classics like Sevilla and Asturias – a showcase of precision and energy.
  • Julian Bream – Bach Lute Suites: Bream’s take on Bach is sublime and shows his mastery of baroque material.
  • Sharon Isbin – Dreams of a World: an album that won a Grammy, including a beautiful mix of folk-influenced pieces.
  • Ana Vidović – Guitar Recital (CDC): a recording from her early career which includes Tarrega’s Recuerdos de la Alhambra and Walton’s Bagatelles, displaying her virtuosity.
  • Marcin Dylla – Live Concert recordings: Many are on YouTube – his competition performances of pieces like Sonata para guitarra by Antonio José are legendary among guitar circles.